review: Curveball: The Year I Lost My Grip by Jordan Sonnenblick

pub date: March 1, 2012
publisher: Scholastic
pages: 304
source: for review on Kiss The Book blog
appeals: contemporary, male protagonist, sports, baseball, photography
content: nothing that would offend, at least in my opinion. Peter does drink at a party and has a horrible hangover afterward


thoughts:
I am a Sonnenblick fan. His books, After Ever After, and Drums, Girls, and Dangerous Pie are AMAZING. LOVE them. If you haven't read them, I recommend that you do.

So, as you might well imagine, I was super excited to get my hands on an ARC of Sonnenblick's next book, Curveball.

Peter has always played baseball, so when he screws up his arm and isn't able to play anymore, he isn't sure what to do with his life. There is a lot of heart in this book. As Peter has to deal with changing relationships with his family, friends, the girl in his photography class, he finds his way in an unexpected future. I enjoyed reading about Peter's growth.

Sonnenblick really is quite amazing. But I didn't feel as strongly connected to Peter as I did to his other characters, in other books. Also, Peter's parent's bothered me, as did some of the decisions Peter made, only because I didn't understand why. I didn't buy into the motivations given, especially in respect to the grandpa.

It was good. It was enjoyable. It just wasn't as good as Sonnenblick's other books. And that made me a little sad.

summary:

Sometimes, the greatest comebacks take place far away from the ball field.

Meet Peter Friedman, high school freshman. Talented photographer. Former baseball star. When a freakish injury ends his pitching career, Peter has some major things to figure out. Is there life after sports? Why has his grandfather suddenly given him thousands of dollars worth of camera equipment? And is it his imagination, or is the super-hot star of the girls' swim team flirting with him, right in front of the amazing new girl in his photography class? In his new novel, teen author Jordan Sonnenblick performs his usual miraculous feat: exploring deep themes of friendship, romance, family, and tragedy, while still managing to be hilariously funny.

review: Au Revoir, Crazy European Chick by Joe Schreiber

pub date: October 25, 2011

publisher: Houghton Mifflin Books for Children

pages: 192

source: for review on Kiss the Book
appeals: adventure, death, male protagonist, comedy, hit woman, New York, prom :)
content: some swearing (20 words or so), some talk on sex/virginity, violence

thoughts:
What a FUN ride. I liked a lot about this book.

First, it's short! There are so many books that have come out/are coming out that are freakin LONG. It is so nice to find a fun, entertaining, quick, short read. I find that Very Appealing.

Second, Joe knows how to write! Wow. Do you ever read a book with such great words that the author's creation of setting and characters and plot seem almost effortless? But you know it wasn't because it is so well done? That was how I felt about this book. I loved it.

Third, lots of adventure.

Fourth, the novel's organization. Each chapter started with a question from college applications, and in the telling of Perry's night, he answers that question. It was so creative and fun.

Fifth, I loved the characters. I liked Perry a lot. And Gobi, too. Even when she was killing people for no apparent reason, I liked her.

Sixth, the Perry-Gobi relationship dynamics worked. The development of their relationship, from beginning to end, was spot on.

Overall, this book was FUN. Sure, there was a lot of blood and violence and death, but it was still FUN.

I'm very excited there's a sequel coming out this fall, Perry's European Playlist. It sounds like it's just as fun and full of adventure (and death), and it's just as short!

I think it has a lot of boy appeal, but there's plenty there for the girls, too.

summary:
Perry Stormaire is a normal high school senior– he is busy applying to college and rehearsing with his band –until he agrees to go to the prom with the Lithuanian exchange student who is staying with his family. It turns out that Gobi Zaksauskas is not the mousy teenager that she seems but rather an attractive, confident trained assassin. Instead of going to the prom, Perry finds himself on a wild ride through the streets of New York City as Gobi commandeers the Jaguar his father lent him for the prom in order to take out her targets. Perry learns a lot about himself – and ends up with some amazing material for his college application essays.

review: A Long Long Sleep by Anna Sheehan

pub date: August 9, 2011
publisher: Candlewick
pages: 342
format: audio
reader: Angela Dawe
appeals: future, fairy tale retelling, romance, sorta scientific
content: a few swear words--maybe ten?

thoughts:
I needed an audio book, but I wasn't sure what to listen to. So I went browsing at the library and picked this one up because the title sounded familiar. I'm sure I read something about it somewhere. Besides, I like fairy tale retellings, so I thought I'd give it a try.

The the story follows Rose, who is awoken by a boy (hehe) after 62 years hibernating in a stasis tube. Her parents are dead, and the world around her has changed quite a bit while she's been "sleeping." So she has the present she woke up in, but a long ago past that still haunts her.  

The audio was really good, too. I liked the Angela Dawe as the reader, a lot. I thought she did a good job with the male voices.

Here were my thoughts as I listened:


discs 1: This is a really interesting world that the author has created. I love well built worlds, and I think this one is well built. Very intriguing. However, where is this story going? If I had the book, I'd probably skip to the back and read the last few pages just to find out, because even after reading the summary on the jacket three times, I'm still confused on what the point of this story is.

disc 2: The plot is a little slow. Rose's present is broken up a bit by her memories from her past. It's still interesting, but a tad slow. And I still don't know where the story is going.

disc 3: Rose is a wimp. She is so spineless she's practically an amoeba. As her past unfolds, I understand why she never stands up for herself and accepts everything everyone tells/told her (especially her dead parents), but the book is a third through, when is she going to grow up? I want her to take a stand. Grow a spine.

disc 4: I am really enjoying the future technology Sheehan created for this book. It is so creative. And interesting. And very cool.


disc 5: I am so angry at the people that surround Rose and how they manipulate her, past and present. I am so angry at them! I want Rose to feel the same anger! Yet, she's still in the amoeba stage of her development. When? When will Rose break free?!!!!!


discs 6: YES!! FINALLY! Rose gets ANGRY!!!! It was long in coming, but very satisfying. I sit in my car for 30 minutes because I want to know what is going to happen. It isn't slow anymore! The pace has definitely picked up. I make myself get out of my car when the disc ends.

disc 7: Oh no! Is this the first book in the series? I had no idea it was a series! But I can see how Sheehan is setting it up for another book if she does continue it. And it's all so exciting! I like Rose when she has some bone structure. Yay Rose!

disc 8: The dreaded two words: Love. Triangle. Ack! Not in this book, but I think Sheehan is setting it up for one in the next book. And now I'm going to have to read it. I'm hooked!

summary:
Rosalinda Fitzroy has been asleep for sixty-two years when she is woken by a kiss. Locked away in the chemically induced slumber of a stasis tube in a forgotten subbasement, sixteen-year-old Rose slept straight through the Dark Times that killed millions and utterly changed the world she knew. Now, her parents and her first love are long gone, and Rose— hailed upon her awakening as the long-lost heir to an interplanetary empire— is thrust alone into a future in which she is viewed as either a freak or a threat. Desperate to put the past behind her and adapt to her new world, Rose finds herself drawn to the boy who kissed her awake, hoping that he can help her to start fresh. But when a deadly danger jeopardizes her fragile new existence, Rose must face the ghosts of her past with open eyes— or be left without any future at all.

review: Irises by Francisco X. Stork

pub date: January 1, 2012 
publisher: Arthur A. Levine Books
pages: 288
sources: for review at Kiss the Book
appeals: sister, death, orphans, religion,
content: two swear words, some talk about sex but rather mild comparatively

thoughts:
This is the second book I've read from Francisco X. Stork. My first was The Last Summer of the Death Warriors. I didn't love that book (I gave it three apples), but it was interesting enough that I decided to try another Stork novel. The summary for Irises appealed to me, so I picked it up. I probably didn't need to bother.

What I have decided after reading Death Warriors and Irises is that Stork's style of writing doesn't appeal to me. I find it kind of boring. There's no beauty to his language. It's just...words on a page.

Also, I had a really difficult time keeping Mary and Kate straight. One was brilliant and studied a lot, one painted. That was it. The first thirty pages I was very confused on who was doing what because I couldn't figure out which was which. All the characters seemed very one dimensional. And sometimes behaved in odd ways...like Kate's best friend becoming her best enemy in just a day without much provocation. It was weird.

Religion is a large aspect of this novel and ties into the growth of the characters, and I did find that interesting. But...that's about all.

Without beautiful words or strong characters, the plot itself wasn't enough to keep me interested. I did finish it, but near the end I was reading just so that it was finished, not because I cared so much.

summary:

Two sisters discover what's truly worth living for in the new novel by the author of MARCELO IN THE REAL WORLD.

TWO SISTERS: Kate is bound for Stanford and an M.D. -- if her family will let her go. Mary wants only to stay home and paint. When their loving but repressive father dies, they must figure out how to support themselves and their mother, who is in a permanent vegetative state, and how to get along in all their uneasy sisterhood.

THREE YOUNG MEN: Then three men sway their lives: Kate's boyfriend Simon offers to marry her, providing much-needed stability. Mary is drawn to Marcos, though she fears his violent past. And Andy tempts Kate with more than romance, recognizing her ambition because it matches his own.

ONE AGONIZING CHOICE: Kate and Mary each find new possibilities and darknesses in their sudden freedom. But it's Mama's life that might divide them for good -- the question of *if* she lives, and what's worth living for.IRISES is Francisco X. Stork's most provocative and courageous novel yet.

review: Prized by Caragh O'Brien

pub date: November 8, 2011
publisher: Roaring Brook Press
pages: 368
source: for review at Kiss the Book Blog
appeals: dystopic, political, series,
content: there is some talk about sex, but not graphic--just that this is a book that talks about babies


thoughts:
I was worried about this book. I loved the first in the series, Birthmarked. And from Prized summary, I wasn't too excited about this one. I was afraid it would just be another dystopic society, another set of problems, a new set of characters. And didn't appeal to me. But I decided to take the risk of being disappointed.

And yay! I wasn't disappointed. I was enthralled. I still love Birthmarked more, but this one built on the previous story and I was so glad! I more especially glad because Leon was back! I was worried he wouldn't show up in this book, or if he did he wouldn't be in it very much. But he was in it, and it was a lot. YAY!

A lot of the plot is based on science, once again, which I really enjoyed. It surprises me how much I liked the science in Birthmarked and Prized. I think it adds a dimension to the story that is appealing. It's still about survival, but not with wars or food shortages or environmental issues like tsunamis and earthquakes. It's more about babies. Keeping the humans alive through future generations. Which is an interesting premise, especially for YA.

It is a new society, but just like with Enclave, it is so interesting and original. And aggravating, too.  Some of those characters were just so hardheaded and I wanted to reach into the book and slap them unconscious. Which, you know, strong emotional responses to a book, even when it's aggravation, means it's doing it's job.  


Overall, it was good.


However, it was also frustrating. Gaia wasn't my favorite in this book, nor did these few months of her story show her in the most flattering light. I didn't even much like her for half the book because of her decisions. She was one of the characters I wanted to slap. At one point she says to herself (paraphrased), "I've heard of love triangles, but never love squares!" Yes, that is correct. Not just two boys, but THREE. And if you know how I feel about triangles (I hate them) just imagine my disgust with a square! One of the things that I hate about love triangles is the girl leading on two boys. Make a decision! Stick with it! So when she leads on three boys, however unintentionally, it was annoying. UGH!


I loved how the book ended. It sets up the third in the trilogy so well and I am excited to see how it will end. I'm am hoping Gaia does not disappoint.


summary:
Striking out into the wasteland with nothing but her baby sister, a handful of supplies, and a rumor to guide her, sixteen-year-old midwife Gaia Stone survives only to be captured by the people of Sylum, a dystopian society where women rule the men who drastically outnumber them, and a kiss is a crime. In order to see her sister again, Gaia must submit to their strict social code, but how can she deny her sense of justice, her curiosity, and everything in her heart that makes her whole?

review: Dead End in Norvelt by Jack Gantos

pub date: September 13, 2011
publisher: Farrar, Straus and Giroux
pages: 341
appeals: historical fiction, based on fact, mystery, murder, small town, Newbery Winner
source: library
content: some fart humor, hunting, lots of blood(-y noses)

thoughts:
As you most likely know by now, this book won the Newbery Award this year. I was lucky enough to already have it checked out when the award was announced, so I missed out on the long hold list at the library. Lucky!

I went on a road trip to California last week with my sisters and ten-year-old nephew and we stuck the audio of this book in. My nephew LOVED it. We listened to about half of it on the way there, the rest on the way home. It might have been the potty humor (he is ten and thinks that sort of thing HILARIOUS), but for what ever reason while we were in California, any time we were in the car, even for three minutes, he'd say, "Can you turn the book on now?" It was really cute.

As for me, I enjoyed it, but I didn't love it. I'm surprised it won the Newbery (especially when there was Okay for Now by Gary Schmidt which I loved and enjoyed so much more and wanted to win--a lot). It had it's moments of humor, it was peppered with entertaining characters, the plot was exciting at points (meandered at other points) but as I think back on the story, nothing really sticks out.

And as for the audio aspect of this book--kind of blah. The author read it, which is cool. But he has kind of a boring voice. A lot of the funny situations would have been funnier if a more expressive reader had read them instead. Just my opinion.
It was enjoyable. But for me, not phenomenal. For a ten-year-old boy, it will probably pass muster.

summary:
Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air. Dead End in Norvelt is a Publishers Weekly Best Children's Fiction title for 2011. One of Horn Book’s Best Fiction Books of 2011.

review: Midnight in Austenland by Shannon Hale

pub date: January 31, 2012
publisher: Bloomsbury 
pages: 288
source: NetGalley
appeals: Jane Austen, adult book, humorous, romance, mystery, English men, England!
content: it's an adult book--some adultish situations, 2 swear words--but nothing I'd think would offend high school students or older

thoughts:
First, I love Shannon Hale books. This is no exception.

Second, I think she has a thing for British men...

This was an exceedingly fun book. Charlotte is in her thirties, recently divorced, with two children. And lost. And lonely. So after discovering Austen's books and wanting to experience them for real, she takes a vacation to Austenland. Where she gets a lot more than she bargained for.

I tend to read books a lot without knowing much about them. Usually I've heard about them on a blog, or am familiar with the author, or like the cover. But I rarely read summaries before I read the book. It makes for some surprising stories. For example, I didn't know this was a mystery. So when it turned into a mystery, I was surprised. I thought the mystery well done, though I'd figured out who'd done it (and the romantic lead) before Charlotte did, I enjoyed the ride.

Midnight in Austenland was a little spooky (not scary), but mostly it was funny. Hale is a master at laugh-out-loud fun, with silly situations, great dialog, and entertaining characters. 

I loved the voice. The narrator of this book was her own character, with her own personality, different from Charlotte. And I loved her. She had a very dry sense of humor and she was absolutely hilarious.

Charlotte is also a great character. Like Jane in Hale's previous book, Austenland, Charlotte has her moments of flashback, moments in the past with her husband, before and after the divorce, and even before and after marriage. Her growth was real, and it was extremely satisfying when she grew a backbone. I liked her a lot and I was happy she got her happily ever after.

There were some of the same characters in Midnight as there were in Austenland, and it was fun to get an update. But there were also a new characters, and that was fun, too.  

I recommend.

summary:
When Charlotte Kinder treats herself to a two-week vacation at Austenland, she happily leaves behind her ex-husband and his delightful new wife, her ever-grateful children, and all the rest of her real life in America. She dons a bonnet and stays at a country manor house that provides an immersive Austen experience, complete with gentleman actors who cater to the guests' Austen fantasies.

Everyone at Pembrook Park is playing a role, but increasingly, Charlotte isn't sure where roles end and reality begins. And as the parlor games turn a little bit menacing, she finds she needs more than a good corset to keep herself safe. Is the brooding Mr. Mallery as sinister as he seems? What is Miss Gardenside's mysterious ailment? Was that an actual dead body in the secret attic room? And-perhaps of the most lasting importance-could the stirrings in Charlotte's heart be a sign of real-life love?

The follow-up to reader favorite Austenland provides the same perfectly plotted pleasures, with a feisty new heroine, plenty of fresh and frightening twists, and the possibility of a romance that might just go beyond the proper bounds of Austen's world. How could it not turn out right in the end?